Faustus Essay -- essays research papers

stunned of ancient myth of the magician who sells his soul to the Devil for occult powers, Marlowe has fashioned a veritable fable of Renaissance humanness (Source 5 113).The last of either true renaissance man is to improve himself. This goal whitethorn border on heresy, as it leads to a man trying to admit the like position as God. mates commits this same basic evil to cause his own fall. To Doctor Faustus, this idea of sin is of no meet at the beginning of Christopher Marlowes Doctor Faustus. Faustus goal is to become god-like himself. In order to accomplish this, he learns of science and shows an interest in magic. He turns to the pleasures of magic and art and the poewr of scientific knowledge as substitutes for the Christian conviction he has lost (source 5 115). Clearly, this total disregard for God makes Faustus an atheist. However, it is further his renaissance quality, which seals his eternal damnation, not his lack of faith. It is interesting to note how Faust us directly parallels Marlowe himself. The joke is written as if Marlowes vindication of Faustus will vindicate him in the end. This has a direct effect on style as rise up as the overall spin, which Marlowe takes on the archetype. Such as strong fellowship between Faustus and Marlowe makes it practical to speak of the damnation of twain of these interesting characters just about(predicate) simultaneously. Therefore, Marlowe and Faustus are both damned by their own self-improvement, not save by God, but also by themselves, and society.Doctor Faustus opens with a pic of Faustus as the perfect Renaissance man. He is partly an artist, who does not wish well to glorify God, as his medieval predecessors did, but to applaud and please man he is partly a scientist and philosopher, whose hope is to make man more than godlike and not to justify his miserable life on orb and, most significantly he is a Protestant, a Lutheran by training who has attempted through Reformation to esca pe the evils he associates with a Roman Catholic Church. (source 5 113)As the epitome of renaissance man, Faustus believes that he can infinitely improve himself (4 155). Faustus considers his life before his deal with Lucifer as one that has gone as far as real interests may carry him. He notes in the opening scene indeed read no more thou hast attained the end. / A great subject fitteth Faustus... ...arlowe humanizes him. Faustus has the complicated modern soul. He is tragic because his dillema is real (source 6 62). As a realistic character, Faustus experiences the common feelings which occur in any persons battle with faith. Marlowe creates a character whose flaw is so slight, yet who is fatally flawed at the same time. This over intake creates the perfect balance between the extremes of flaw. There is a desperate fatalism about Marlowe that the most desirable things are subject to cosmic veto (source 9 226). Marlowe succeeds in accomplishing his ultimate goal of creating a character which vindicates his own beliefs.The damnation of Faustus as well as the life of Marlowe both prove to prove that unchecked ambition lead to complete damnation and utter difference of happiness in society. Although Marlowe does well in humanizing Faustus, it is still clear how he was damned and why. Marlowes biography also is tragic in the same way. All of Marlowes as well as Faustus damnation both are easily attributed to their ambitious nature which is almost a human race of the archetype to which Icarus and Lucifer both belong. Clearly, the ultimate answer to this problem is moderation.