Deception in Jonsons Volpone Essay examples -- Jonson Volpone

 Deception in Volpone   In Volpone, Ben Jonson emphasizes the fun and the humor of deceit, only when he does not overlook its nastiness, and in the end he punishes the deceivers. The piece of cake centers rough the wealthy Volpone, who, having no wife or children, pretends to be dying(p) and, with the help of his wily servant Mosca, eggs on several close characters, each of whom hopes to be made Volpones sole heir. Jonsons ardent rage of lyric reveals itself throughout the play, but especially in the words of Mosca and Volpone, who relish the cheapjack powers of language. Volpone himself pursues his schemes partly out of greed, but partly out of his passionate love of getting the best of people. He cannot resist the temptation to outsmart those around him, particularly when fate delivers him such perfect gulls as the lawyer Voltore, the merchandiser Corvino, the doddering old Corbaccio, and the foolish English travelers Sir Politic and Lady Would-Be. Mosca also enchants in his ability to beguile others, remarking I fear I shall generate to grow in love / With my dear self, so thrilled is he with his own manipulations. His self-love, however, proves his undoing, as it does for Volpone. Both characters become so entranced by their own elaborate fictions that they cannot bring themselves to stop their scheming before they betray themselves. Jonsons audience would have recognized both the wily Volpone and the parasitical Mosca as stereotypically Italian. English playwrights frequently borrowed characters from Italian drama and from Italys comic dramatic tradition, the commedia dellarte. Venice, the cathode-ray oscilloscope for Volpone, evoked the glory of Italian art and culture, but also Italys decadence and corruption, which the English view... ...trations were well known to be more than ripe a little obscene, as she says. We are encouraged to laugh with Volpone and Mosca at the pretensions and hypocrisies of Lady Would-Be and the o ther ever-hopeful heirs but ultimately Jonson chooses to punish the deceivers and asks us to side, however reluctantly, with the Venetian Senate in condemning them. Voltore, Corvino, and the others may richly be to be tricked, but Volpone and Mosca are not agents of justice, and we must not mistake them with such truly virtuous characters as Celia and Bonario. Nevertheless, Jonson gives Volpone the last word in the plays Epilogue, where Volpone asks our forgiveness, and we find ourselves in complicity with him once again. We are invited in the end to revel in the delightfulness of deception, and of language, and to suspend, if only briefly, our moral judgments.