Examine the opening five minutes of ‘High Noon’, ‘Butch Cassidy and the Sundance Kid’, and ‘Unforgiven’

Examine the opening vanadium proceeding of last Noon, Butch Cassidy and the Sundance chela, and Unforgiven. contr provided overt what each of the directors seek to achieve in these sequences and how they locate their adopt deep down the genre. The terzetto take aims High Noon, Butch Cassidy and the Sundance Kid, and Unforgiven be all classic films that be hardened in the western genre. Principally these Westerns are set between the issue 1860 to 1900 and often located to the west of the Missouri and the Mississippi.The production of these three films span through a period of 40 years from 1952 to 1992 display a change and progression in the style of filming. From examining the opening five legal proceeding of each of the three films and with great reference to the key concepts I shall be able to establish what nonions build a Western and psychoanalyze how effectively they are used within each of the three films. High Noon directed by Fred Zinnemann was produced in 1952 and tells the story of Miller, a shaft villain who was sentenced in the town of Hadleyville to a lifetime imprisonment in Texas.Much to the towns distress Miller is released and back with a vengeance and together with a group of other villains they return to Hadleyville to seek revenge on the towns sheriff. This is a story about the final triumph of good over evil yet also touches upon other subjects like testing friendships and the mug up of women in power. This was the first film to use real time, by 1957 it was be parodied. High Noon begins with a non-diagetic soundtrack, Dont forsake me, oh my darling, which tells the story that is to follow.The film opens with a wide prospect of the great grassy plains with a lone rider in the distance, showing great iconography of a typical Western scene. Its report clues are precise quick in the first five minutes where the essentially liberal characters are here shown with the stereotypical look of being nearly shaven and wearing a port ragged clothes and a Stetson hat. This is come on backed up when they ride into the town, where people shocked and scared by their appearance stop immediately what they are doing and some even officiate to hide.One Spanish woman crosses herself when she sees them showing their naughtiness reputation and is open-and-shut here, that they are not often at that town and it is not a welcomed sight. There is a great contrast here between the good and the bad, primarily between Will Kane and Miller. In almost everyway they are opposite relating to Claud Levi-Strauss caprice on binary oppositions. The connotation of colour is very noticeable here, where the bad make funs are all wearing dark colours and ride on black horses in contrast to Will Kane who is about to wed Amy who is wearing white which reflects their innocence.This film uses conventions effectively to locate itself in the Western genre. It is located in a small town with one high route that is lined with t all wooden buildings. It also includes the familiar saloon and sheriffs office. These all link together to provide a representation of the stereotypical image of a western town. Butch Cassidy and the Sundance Kid directed by George Roy mound (1969) is based on a true story that follows the lives of Butch Cassidy and the Sundance Kid who are famous for great money box and train robberies.After many successful takes they encounter resistance and in a bid for license flee the demesne. This film takes the idea away from the evil cowboy and by the end of the film you feel less anger for them as in most Westerns but like them and feel a sense of wo and pity for them. This film opens with a short film reel shot in sepia. It tells of one of their many great train robberies as the mussiness in the wall gang. The sepia is a good reflection of the period of which this film is located, it also highlights and emphasises iconography of Westerns straight away.It then cuts out of sepia to t he nigh scene in which Butch is examining the security of the towns bank in facility for the robbery. There is a lot of exposure to the heavy bars and strong locks, obviously new, and unforeseen, Butch asks the bank teller What happened to the grey-headed bank, it was beautiful, the bank teller replies, People kept robbing it Like High Noon the way Butch Cassidy and the Sundance Kid are dressed reflects their personality and means that they keep be more easily recognised. As well the bad guy is well re straightawayned and scares a lot of people.Here, the Sundance Kid is well k straightwayn for his precise firing aim, shown in the scene where the Sundance Kid is playing tease and his opponent accuses him of cheating not knowing who he is, I didnt know you were the Sundance Kid when I accused you of cheating If I draw on you, youll kill me. He then asks him how good of a shooter he actually is, the Sundance Kid then demonstrates this and shows to the audience his character wher eas Butch Cassidy appears to be a lot more rational and the brains behind the operations. The Sundance Kid is very sombre and does not show much facial expression.Male feel is very dominant in this film, especially among the Sundance Kid, where his reputation is very historic and must be maintained to uphold the bad guy image. Unforgiven is the most tardily produced film of the three, made in 1992 and directed by Clint Eastwood who also stars and won 4 Oscars. It follows the story of William Munny, a notorious killer who is offered the chance to constitute a large sum of money by reverting to his old ways and killing two cowboys. The story line develops to show a more in depth side of the stereotypical villain of the West and the corruptness of people who are supposed to be on the good side.This film demonstrates 3 themes common to the Western genre Love, honour, and loyalty. The opening shot of the film has a simple scene of William Munny tending to his married womans grave in a silhouette cast by a glowing sunset. This is further explained by the use of a short paragraph that tells of Munnys past. The first few minutes shows how William Munny has become much more of a settled family man since his wife died and so his gangster days are long gone and now owns and runs a ranch with his two children, whom can further accentuate his now much more innocent personality.Due to his presence as a family man we do not initially see him as a villain, and due to the different nature of the story, whereby Munny is asked to kill the villains who cut up the novel girls face, which is well deserved, it makes the audience portray Munny more as a hero, who was only looking out for the best interests of his family. This first scene of tranquillity is contrasted by a stormy second scene as it makes the change from the country to a small Western town, and gives a narrative clue that something that could lift the equilibrium is about to take place.There is a shot emphasising the mansion saying billiards upstairs and then we see women being paid for sex. belly laugh then breaks the silence and the pace is speeded up using fast modify which portrays the commotion thats taking place. This is stopped abruptly with the pointing of a gun. As in many Western films women are used to demonstrate the issue of phallic power and pride at this time in history. Within Unforgiven olive-sized Bill, the town sheriff, talks to the head prostitute with little respect and does not listen to her opinion.Within the three films I have examined all three directors use similar iconography to portray the familiar Western scene and the villains constantly wearing dark clothes, with roughly cut hair and stubble around the mouth. The hero of a Western will always contrast the bad guy. The main themes that are covered are male pride, loyalty and honour. Women are used repeatedly to show male power in party and are used as mere objects. High Noon is a base that most Western f ilms use and its ideas are often revised. binder together narrative theories, iconography and typical themes makes these film fit into the Western genre.