'Pre-1900 poetry and Atonement Comparison Essay\r'

'The poetry collection provides us with a myriad of examples of how numerous pass to face breastworks to slam †some of our speaker units struggle, whilst many prove respect to be an long-wearing force, mainly rendern by writers during the earlier periods who followed to a greater extent traditional values, believing in a more courtly style know untold(prenominal) as Shakespeargon in sonnet 116. How constantly, later on, for example in the twee period, as traditions fell to pieces and certain barriers became stronger than the radical of delight, people had lost faith: such as Remember. Meanwhile, in Atonement, McEwan takes us on a journey finished the sexual grapple of Robbie and Cecilia who manage to outstrip physical dissolution that many faced at this measure due to the World War. He portrays a realistic, yet strong union, proving that even in the juvenile times, discern shadow outstrip barriers.\r\nIn the time of the 16th century, during the renasce nce, when Shakespeargon resplendently published his collection of sonnets †including Sonnet 116 †barriers to neck were close to seen as insignifi stick outt. Post plague, Shakespe be may be giving hope to those who precious to hold onto tradition and devotion, as the Renaissance marked a time of rising ideas and a movement away from the emblematic ideas around love, which could be such(prenominal) kindred McEwan in the sense that Robbie and Cecilia’s love was non broken through the war times. In Sonnet 116, love bottomland overcome two; initially, Shakespeare strengthens the idea of love by naming the numbers subsequently the form it takes: a sonnet.\r\nEverything about this poem represents love, and zilch place get in its way, non even ‘tempests’, proving how powerful it is and how it tolerate even overcome forces of nature. Society creates no boundaries in terms of love within this poem; the use of the metaphor of the ‘ mave n’ signifies how love is non restricted and derriere be seen by all. Lastly, we see Shakespeare incorporating embodiment to illustrate the immortal aspect of love and how it overcomes the barrier of time: ‘Love is not Times Foole’.\r\nClearly barriers of love are seen to be easily defeated, as McEwan in any case portrays in his novel that attempts to highlight new-fashioned Age love, incorporating realistic scenarios such as the awkwardness in the library, and the issues faced due to war. Many lives were lost, and the story of Robbie and Cecilia could be considered a tragedy, as we discover they die at the end. However, our narrator Briony allows their love to pass off death and live on through use of metafiction: ‘the lovers survive and flourish’, and on paper they do. However, McEwan does highlight the truth and how sometimes, we potful lose the ones we love and in that respect is nothing we can do about it.\r\n piety was a big deal previou s to the Renaissance, but as soon as science and new ideas came into play, their began questioning of the church servicees authority. William Blake explores how the church induces the force that prevents love and innocence in his poem: ‘The Garden of Love’. frequently alike John Milton’s illustrious ‘Paradise Lost’, the poem sees religion in a critical manner, implying a need to move away from common Christian convention. His use of ‘Thou shall not’ is a form of linguistic going away to invoke a Biblical tone, and almost mocks the 10 commandments and sees religion as a denial of everything †even love itself.\r\nGod, draw as benevolent, has allowed ‘priests in sear gowns’, with black signifying negativity, to walk their ‘rounds’ and observe us †not so loving after all. Our speaker uses internal rhyme to highlight how his ‘desires’ are metaphorically ‘binding with briarsâ€℠¢, giving us a sense that doing the things that you love declaration in punishment. Here, love is faced with a barrier that society has pushed onto people and Blake is understandably trying to, along with Milton, become conscious(predicate) of this.\r\nMeanwhile, in Atonement, the idea of consideration can be a barrier to love, not only for Robbie and Cecilia, but Jack and Emily too. For high classes, divorce was frowned upon, so although Emily ‘did not propensity to be told’ about Jack and his absence, at that place was not much she could do. Meanwhile, Robbie and Cecilia had ‘known severally other since they were seven’, yet she claimed ‘everything he did aimed to distance her’ just because he distant his shoes to refrain from dirtying the floor. Clearly, there was tension due to varying status, care the two apart for so long. Therefore, a clear barrier to love, and from moving on to continue to love, is status in Modern times.\r\nFi nally, we have the Scrutiny, written by Richard Lovelace, who explores the barrier to love: lust and the need to embroider horizons in terms of being with others. During the time, he, much alike other poets such as Donne, turned to carpe diem poetry. For the speaker, he ‘must all other Beauties’ †using imperatives to signify the enormousness of experience before settling down. The endless opportunities he has metaphorically pushes him to become a ‘skilful mineralist’, representing his need to collect a variety of things (women). Boredom had almost become a barrier to love, as easy as self-lovingness. Meanwhile, we can similarly see that Jack, in Atonement, has too taken benefit of the other options and has taken to cheat on his wife. We also see Lola marrying her ‘rapist’, implying that not only selfishness, but shame can be a barrier to love due to the selfishness of others.\r\nOverall, barriers of love are seen to both insignifican t, and also life changing. Love stories became ever harder to write, and McEwan has managed, by setting his novel at the beginning of the 20th century, where many barriers had to be faced, and love was challenged by war, separation of families and couples, and the struggles of status and judgements of society. Therefore, he has shown how easy it is to love in the 21st century, and how potentially love is much weaker as it does not have to overcome any significant obstacles, hence why 42% of marriages end in divorce. The poems can explore many barriers to love, and different approaches are taken on: traditional love that overcomes all, love that is stolen by new ideas such as the church, and a more selfish and arrogant take on love.\r\n'