'Medieval vs Renaissance Art Essay\r'

' in that respect were no nonions of real- vitality techniques and proportion. Figures, which were to a greater extent prominent, were drawn larger than the others. exclusively figures are motionless, they sit or stand and thither are no attempts to bear witness movement. at that place is diminished in the charge of nude bodies, erotic scenes and cozy con nonations. commonwealth were painted with stoic, serious expressions; the lack of emotions was turn over. Pictures were non voluminous; they were flat and stable. The background was painted with unrivalled color. Artists used ordinary basic colors. Paintings weren’t very(prenominal) realistic, but the ruseists did not necessarily want them to be so.\r\nThe contrivanceifice was treated as the means of linkup with God, and the main purpose of it was to foster the spiritual ripening of the people. The Early metempsychosis st stratagems in Italy in 14th century AD due to a pitying body of discernments. Acc ording to Jim Lane, perhaps the biggest factor contributing to the forward motion of the reincarnation was money. He states â€Å"when it became economically feasible to hold in an entire city in fortress walls, thence those with money could begin to relax and enjoy it, which meant a craving for beauty that meant art. The city of Florence, Italy, is a innocent exampleâ€Å"(Lane, 1998).\r\nThe church was no longer the just institution with the resources to commission works of art. Religion was not able to serve as the single reason for creativity any more. While religious imagery still dominated many works of art during this result, secular and humanistic themes began to emerge as well. throng were in the focus of this art full stop. They were envisioned the way they tinctureed in their real life. It was not uncommon for a wealthy merchant to commission a portrait of himself. People were implicated in the anatomy of the human body. The knowledge of anatomy was reflect ed in the in the altogether art.\r\nBodies looked not only real, but attractive for viewers. Most of them were depicted in motion, and appeared much more lifelike. This interest in anatomy precipitated the appearance nude images in paintings and sculpture. An fierceness on natural beauty, and the human form began to emerge. whole figures were placed on the canvas considering the perspective. Painters paid care to light; they started using the technique of shadows and lights in their paintings. Artists were interested in the way people express their emotions and did their trounce to render the emotional expressions on the faces of people on the paintings.\r\nThe same features occurred in sculpture as well. It is obvious that art develops in relation to the prior art periods. Some periods build upon the tone and style of introductory periods, while others strike out in new ways in reaction to the earlier period. There are clear examples of how Renaissance art keep the traditions of medieval art. However, the combinations of new styles, techniques, subjects, and philosophies leads to the conclusion the Renaissance veritable in reaction to the medieval era. The Renaissance served as the transitional period between the medieval art and the new period in human history.\r\nThe Renaissance brought significant change to the dry land of art. Artists started creating art for the involvement of art, and not necessarily for the sake of god. They created new art forms, and mastered their skills in order to make things look as they are in real life on the canvas. God was not the only stoppage of depiction. The Renaissance Art is much closer to the caprice of art which is common now. It uses mixed colors, shades, real sizes, and perspective. contrary Renaissance art, medieval art is more primitive. The pieces of art were representations of crucial spiritual content.\r\nThese differences are best explained by examining a few examples. For instance, the medieval co mplete(a) bloody shame is rather specific (Duccio, 1300). She is depicted only with the upper berth part of her body. She holds the infant in her arms. Her face is gelid and reserved. The background is static. All objects are two-dimensional; there is no volume or change in colors. The picture lacks dynamics. At the same time, it is a classical representation of complete(a) Mary. It was created for the purpose of religious worship. The Virgin Mary is the main figure at the picture.\r\nIn this respect, the infant on her hands is smaller than he should be in reality. bloody shame is the representation of Virgin Mary in Renaissance art. Madonna Litta by da Vinci (1490) shows the tendencies of how the art certain. First of all, both Madonna and her child look lifelike. They appear much more human in their facial complexion, proportions and positions. They are not static. The child holds his finger in his mouth. He is elvish and alive. Madonna holds him in her hands and looks at hi m carefully. viewing audience can notice the feelings of comfort and pleasure in the way she looks at her baby.\r\nThis transition from expressionless, some whitethorn say emotionless, depictions of humans to lifelike, active characters can be seen throughout Renaissance art. The Renaissance artists wanted to depict realism in their art. They strived to have the images correspond in some way to the real world. In this respect, they try to learn how to paint the world they have, not only the world which belongs to Saints. This shift in philosophy during this period created the necessity to create art in a different stylus. People became interested in themselves.\r\nThis may be the most obvious reason why these two art periods are so different. At the same time, Renaissance art is the logical protraction of the development of art in human history. People do not stay the same; the world is changing, so the art changes too. It is hard to imagine that the Renaissance period would ha ve developed in the manner that it did without the foundation laid during the medieval period. It’s clear that later periods built extensively off the techniques and philosophies developed during the Renaissance.\r\nThe Renaissance served as the greatest transitional period from earlier, more primitive styles, and set the stage for late art as we know it. References Duccio di Buoninsegna. (1300) Madonna and youngster [Picture]. Retrieved from: http://www. metmuseum. org/toah/works-of-art/2004. 442 da Vinci, L. (c. 1490) Madonna Litta. [Picture]. Retrieved from: http://www. abcgallery. com/L/leonardo/leonardo13. hypertext mark-up language Lane, J. (1998). Renaissance (1400 †1600). Retrieved from: http://www. humanitiesweb. org/spa/gil/ID/35\r\n'